April 22, 2026

#242. Good Will Hunting (1997)

 
 
Prior Viewings: 1
 
I had extremely fraught feelings on this one the first time I saw it. The smooth storytelling, powerful acting, and general schmaltziness mostly appealed to me, but I simply couldn't stand the main character, whose insufferably smug attitude irritated me to the point where I genuinely struggled to watch him, let alone root for him.
 
After a second viewing, I can definitely see why I felt that way (the scene with the Michael Bolton guy is such power fantasy horseshit that it still makes me cringe), but I was more appreciative of Will's arc this time around. The opening collection of vignettes does some great work to subtly establish his psychological and intellectual complexities, and the fact that everyone around him responds so differently to his behaviour helps to explain his questionable choices. I still don't know if I like the guy, but I think I at least understand him a bit better now.
 
And besides, it's hard for me to remain annoyed when every other element has this much warmth to it. Damon and Affleck's writing remains emotionally authentic despite some overwrought dramatics, both Williams and Skarsgård elevate the story's resonance via their maturity and weariness, and Gus Van Sant captures the bittersweet tone with a keen sense of melancholy (even if using Elliot Smith is kind of a cheat code). Put it all together, and you've basically got the cinematic equivalent of a warm hug.
 
Grade: A-
 
P.S. I don't think I ever noticed just how short Robin Williams was before now. Speaks to his force of personality, I guess.

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